I knew right away I was going to like Nate Nicholls when I saw his yard.

I was sightseeing in 2005 on some of the back roads in the area of Maine where I like to vacation, and there it was, inhabited by guys leaning on shovels, giant chickadees, giraffes, assorted frogs, cactus, oversized flowers, and the odd dragon or two.

Everything was made out of junk, scrap metal, propane tanks, rakes, shovels, railroad spikes, nuts, bolts, lengths of rebar, this and that.

I whipped the car onto the shoulder and walked around some, taking photos, hoping the owner would show, but he wasn’t home.

But there was a big, hand-lettered sign. The sign said that the township is telling him that no business in the township can have items for sale unless they are screened from view. So, his sign says, nothing you can see there is for sale. Unless, that is, you look at it through a screen. He provides the screen, of course, a square of framed wire mesh that he made himself.

“Ok,” I said to myself. “I GOTTA meet this guy.”

The next day, I did.

Nate Nicholls was no trained artist. He was a high school dropout, then 43, who eked out a living harvesting and processing wild Maine blueberries, doing odd jobs, and from the occasional sale of a piece of his art.

Turns out, he was born only about 50 miles from where I live, in Lancaster, Pa. He was married and lived with his family in a white wood frame house adjacent to his workshop and his, well, it’s hard to say what it is. Display area, museum, and storage lot. Prop lot for some very strange stage production. Something like that.

Nate, who had collected mostly metal junk for his hobby for years, got serious about welding and bolting odds and ends of stuff together after his mother died about three years before I met him.

“She was artistic. After she passed, I just felt like I had to do something, and this is where it went,” he said.

He also said he got a little ticked off with the local government because they told him he couldn’t keep all that junk in his yard.

“So, I started welding stuff together, and called it art. I said, ‘now it’s art, what are you going to do now?’ “

He said the township didn’t like him very much.

Nate’s prices were arbitrary. He had a steel sheep he made and set the price at $6,000, because he’d seen one made by a famous sculptor priced at that figure.

“And my sheep looks more realistic,” he said with obvious pride.

The sheep, I had to admit, looked pretty darned real. OK, it looked like a sheep in chain mail, but this is art, right? The convention/menagerie in Nicholl’s yard includes people of all shapes and sizes, an elephant, giraffe, one whole red and orange dragon perhaps 10 feet tall hatching babies out of propane tank ‘eggs,’ parts of several other dragons, a self-portrait of the artist, one squid, one octopus, a pair of tiny dogs made from car springs that I would swear were modeled after a pair of miniature poodles I know, any number of birds, lizards…all made from old gears, snowmobile mufflers (great for peacocks and pelican bodies, as it happens,) nuts, bolts, pitchforks, shovels, picks, shears, screwdrivers and chain-link fence.

Nate said he spent a lot of time in scrap yards, and sometimes people just bring stuff for him. One fellow, I believe, provided a couple of tons of railroad spikes, which have evolved into hundreds of tiny figures romping, dancing and marching around Nate’s five-acre property.

Sadly, Nate is not making any more fanciful creatures.

One July day he was welding a small metal frog when his heart failed. He was rushed to the hospital in Damariscotta, but nothing could be done to bring him back. His kids had him cremated and buried his cremains in his sculpture garden, and covered his grave with bouquets of flowers made from gaily-painted flowers fashioned from outdoor spigot handles.

I make a point to stop at Nate’s on every visit to Maine. Sometimes I chat with his son Josh, who lives in the big old house, and sometimes chat with his daughter, Alissa, on Facebook.

Like many artist’s Nate’s life stared back at us from his work. He once had a run-in with the state highway department. They said his stuff was too close to the road. He countered by listing a number of more usual businesses on the same highway who keep their products as close or closer. In honor of the dispute, Nate built a highway department guy leaning on his shovel, a stumpy cigar stuck between his teeth and a woman giving him hell about something.

To celebrate his warm relationship with his township, Nate has a figure carrying a skull around on a platter. He said the head represents a figure from the local government who is sometimes a pain in the butt.

The biggest problem Nate had, aside from his hassles with the local and state government, is that he gets attached to each piece, knows the story behind every part of it, who brought him this spring, that doohickie, and what inspired him to make it. It’s sweet, but it doesn’t help his cash flow.

“I can’t mass produce these things, but if I have only one of a piece, I can’t sell it. And of my very favorite pieces, I can hardly bring myself to sell them at all,” he said.

He did sell stuff, though. He picked up a turtle made of railroad spikes, its shell made from old steel nuts welded together. It was about eight inches across. He said he makes them pretty often, because people walk onto his property and offer him a hundred bucks for one.

He said he figures he could get $10,000 for the 10-foot-tall red-and-orange dragon, babies and eggs included.

At his memorial service Alissa read from a poem Nate left behind:

There really isn’t much difference
between this old man
and a chunk of rusty mooring chain.
I grow weak
from both the weathering of time
and the brine of existence.

Since Nate’s death, his kids have moved some of the sculptures around. Some of the pieces have been stolen, but they are doing the best they can on a limited budget. They want to maintain Nate’s Recycleart Garden Gallery and the garden for as long as they can. The garden is free and open to the public, and they want to keep it that way.
Recycleart sculpture garden and studio
https://www.facebook.com/recyclesculptor

http://recyclesculptor.com/

Ghosts in the River

January 1, 2012

Ghosts on the River

Three days before the year’s end, and the weather had turned suddenly colder.

Scattered fat snowflakes darted through the scrub oaks clinging to the steep banks of the Shenango River in western Pennsylvania, a 100-mile long tributary of the Beaver that eventually flows into the Mississippi River.

Shenango means “pretty one.”

My brother, David, and I joked that if we believed in ghosts, our mother’s would be down there on the marshes along of the Shenango, gigging frogs with her dad, a rough, hard-drinking steelworker.

At our feet, on the heights above the river, were the headstones of our mother and father. Dad was buried there in 1981, Mom just a little more than a year ago.

Neither of their lives or deaths was particularly easy. But all that’s done, now.

Water, flowing water, has always held me fascinated. I grew up in northeast Georgia, along the Oconee, whose name is a corruption of the Creek word meaning “born from water.”

The Oconee’s waters tumble down over the fall line to join the Ocmulgee to become the Altamaha and finally the Atlantic.

I now live in southern Pennsylvania along Marsh Creek, which joins with Rock Creek to become the Monacacy, which flows into the Potomac. The heights between Marsh and Rock creeks were the site of the Battle of Gettysburg. Bullets and other martial debris show up in the farm field behind our house.

The thing about rivers and creeks is that they seem from moment to moment to be fixtures, but in truth they are never the same. Blink and you missed something, something that will find its way to the eternal time-sink of the sea. So they are at once symbols of opportunities lost and of hope. That’s how I think of it, anyway.

David still lives a short walk from Born from Water.

We don’t get here often. It’s a long haul for me, and a longer one for him. Visits to our mother’s sister bring us back, and we always make the trek to Riverside Cemetery. I don’t know how often we would get back if not for her.

This is our first trip back since Mom’s ashes were interred over Dad’s grave.

I will not speak for David, but I usually spend an hour or so sitting on Grandpa George’s headstone, gazing over the tops of my parents’ stones, down toward the river.

I am not there for them. There’s nothing beneath the assorted Burger and Miller stones but ash and the odd discarded mechanical parts, the odd bone or set of dentures.

I go there to address memories, good, bad, indifferent, sometimes surprising, things I had forgotten. I speak, sometimes out loud, about this or that. Long ago, there was not a little anger, as I worked through things as I aged.

I’m in my sixties now. The anger is gone, dispersed by understanding, nubbed by weariness, and sometimes by no longer giving a damn. There were ordinary people, flawed, beat down and badgered by their own past. Who am I to be angry?

I leaned against the big oak above the graves. The wind was picking up, the flakes coming more heavily.

In a few weeks The Pretty One will be frozen over. In the old days, there were spots where you could drive a car over it. In recent decades, the winters have been thinner, meaner, somehow.

David and I climbed back into the car and wove our way through the steel-town blackened gothic stones and back into the end-of-the-year bustle of town, leaving The Pretty One counting down the moments to winter.

Burger at The Opera

February 8, 2009

So, here’s a confession for you.

I went to the opera Saturday.

I had my doubts. I mean…opera? Women built like linebackers going off like tornado warnings? Men in tights? What had I gotten myself into?

But, I decided to be a good sport. What the hell, it was only a few hours. It couldn’t be any worse that staff meetings, if louder.

It was better than I expected.

Guys, operas are NOTHING TO BE AFRAID OF. It’s true! The secret to watching operas is that they are really nothing but SOAP OPERAS, once you get past all the hollering and the fancy costumes. Yep. Think “All My Children” set to music. With swords.

Stay with me, here.

The opera was “Lucia di Lammermoor” a tragedy by Gaetano Donizetti. It was a live Metropolitan Opera production transmitted by modern electronics to a big screen at the local arts theater.

So an opera is just like real life, except they fancy it up all artful and sing it in Italian or German or something. (I once heard a clip from a Chinese opera, but the less said about that, the better.)

Lucia di Lammermoor is based on a book, which was itself based on a true story, set in the lowlands of Scotland. The opera gets a little complicated if you pay too much attention to the circumstance that the play is set in Scotland, is sung mostly by actors who are from Eastern Europe and whose names have no vowels to speak of, and they are singing in Italian. Those things are distractions, but don’t worry…the broadcast at the theater had captions in English, so those of us who don’t understand people yelling their heads off in Italian can figure out what the hell everybody is so excited about.

Here’s what it was about. It’s pretty simple, really.

Lucy falls in love with Edgar, despite the fact that their families really hate one another. Lucy’s brother Ernie is really p.o.’d because he wants Lucy to marry Arthur, some rich guy who can help Ernie climb the social ladder and help him out financially, because he’s broke. Ed packs up and goes out of town on business and Ernie shows Lucy a forged letter that said Ed’s found himself another gal to play house with. Ernie has also been grabbing the letters Ed and Lucy have been sending, so each thinks the other hasn’t been writing.

So, you see where this is going, right?

Ernie persuades Lucy to agree to marry Arthur, even though she really loves Ed, to save the family fortune. Suddenly Ed shows up, finds out Lucy’s about get hitched to Arthur, and gets all bent out of shape. He throws his engagement ring on the ground and stomps it, and calls her some names, but he does it in Italian, so it sounds poetic. He and Ernie vow to duel to the death the next morning in a graveyard, which seems efficient of them both. Then he rushes off in a snit.

Lucy, who is apparently a tad unstable, marries Art and goes upstairs for the whole “unflowering” thing. As soon as the door is closed, Lucy goes all tweaker on poor Art and flies into him with a dagger and perforates him to death.

Probably not the happy ending he had in mind.

Then she comes downstairs all bloody and out of her mind, which pretty much ruins the big party everybody else is having to celebrate the wedding. After singing for a bit about how much she loves Ed, she collapses and is carried upstairs, where she dies.

By this time Ed, back at his own digs waiting to fight Ernie, (who by this time, to his credit, is feeling pretty rotten about his behavior) pretty much wants to die anyway. Then some people run in and tell him what’s gone on with Lucy and that she is dead. Ed pulls his own dagger out of his boot and stabs himself, whereupon he lies on the stage singing for a pretty long time for a guy who is mortally wounded. Then Lucy’s ghost comes and kisses him and he shuts up at last.

See? And all this time you thought opera was fancy and high-toned. We read this stuff in the newspapers all the time, except nowadays folks mostly use firearms instead of daggers. Hell, put the actors in jeans and beat-up F-150s and Camaros, and set the thing at Wal-Mart. Have them sing in English, and you’ll be expecting Judge Judy to come out at any time and set things to rights.

==============================.
© 2009 Marsh Creek Media, Gettysburg, Pa.`
“Burger to Go” is a product of me and my company, Marsh Creek Media and, as such, I am solely responsible for its content.
Check out the two “Burger to Go” blogsites:
https://burger2go.wordpress.com/
http://burger2goclassics.wordpress.com/

(OK, I wasn’t going to do this thing because I’m oddly shy about doing stuff like this. Helluva position for somebody who compulsively writes expository column, but there it is.)

1. I was born in Sharon, Pa., right on the Ohio line and about 60 miles north of Pittsburgh. When I lived there, as a little boy, it was the capital of The American Dream, a steel town when steel was king. The factory where my dad was an engineer employed 17,000 people. At 4:30, when he got off work, it was like watching a kicked anthill, thousands of people, mostly men, boiling out of the office and plant doors, clogging the streets of the city with cars. Today, Sharon is mostly known for its chicken wings (The Quaker Steak and Lube) and for a vocal group hall of fame.

2. My first job was as an underage laborer for a franchise of Greyhound Moving & Storage. I was 17 with pipestem arms. It was summertime in a Georgia town full of three-story Victorian houses. I got fired after a 200-pound freezer with 100 pounds of meat in it fell on me. I wasn’t hurt, but the owner was afraid I’d sue. The experience almost cured me of the desire to work. My next two jobs were as a donut glazer (and delivery driver) at a bakery, and then as an apprentice mortician and ambulance attendant. I got fired from the donut job because I drove the delivery van, respectfully, down the ranks of sailors at a naval facility during the playing of reveille. The visiting admiral was really pissed off. Before I became I reporter, I had worked at 42 different places, doing some colorful things, from picking up road kill to running a garbage company to running the switchboard at a hospital and driving concrete mixers.

3. I got most of my real education on my own, through reading and living and talking to people smarter than I am, whose numbers are legion. I graduated with a B.A. in English from the University of Georgia, for what it’s worth. I’m not one of those people who still gets giddy and acts stupid when the football team from the college he left decades ago plays a game. I spent little time on campus outside of classes because I was working, sometimes as many as three jobs at a time while taking 15 hours of courses. So, no, I didn’t enjoy campus life, though I enjoyed some of the classes. I made the dean’s list twice. The first time, I didn’t know what that meant and thought I was in trouble. I’m still not sure how I pulled that off. All told, I was a mediocre scholar, only exerting myself in courses that interested me.

4. I love books and reading, and I’m always battling my TV addiction to have time to indulge myself. I don’t retain what I read as well as I used to. I find that as I get more and more years as a professional writer behind me, the less patient I am with bad writing in books. Bad writing gets between me and the topic or plot. It’s like reading through a chain-link fence. I joined the Goodreads website and have found some really good books by doing that, and have had some good discussions about books. It’s sort of a virtual book-discussion group for people who don’t feel like going out.

5. Sue and I have an embarrassment of cats. They are “owned,” insofar as one can actually “own” a cat, in three layers. We have one cat, Kitten Kaboodle, who lives in the main part of the house and sleeps on my left arm when I’m working on my laptop. That is, when she’s not attacking my feet. In the big room off the deck are seven, Mr. Bit, fat Scooter (aka Rotunda), one-eyed Winkie, Daphne, Chloe, and Sootfoot. Sprite, the seventh, is actually one of the feral outside cats who slipped in one day and hides out in my office. We have  been unable to catch her and put her back outside. Outside it’s more complicated, with a loose affiliation of felines  we feed, though some of them wander up and down the creek bank, mooching off other families. This morning the count was 13.

6. I am an unapologetic atheist, but I have a spiritual nature. This is not as confusing as you might think. At one point in a piece I’ve been working on for more than a year, I remark that “God gave us minds so that we might figure out that he doesn’t exist.”  At the same time, I admire people who have strong faith, because I’ve seen people like that get through some terrible things without being broken. But I think that strength came from within them.

7. At the present, I am just six weeks from my 60th birthday. I am annoyed with myself that I’ve started referring to myself as a geezer. I have even started giving young people advice. Just shoot me. Please. Seriously, other than a few squeaky joints and stuff, I don’t FEEL old. Mostly.

8. While we’re on aging, I was a bookworm with arms like soda straws when I was in my teens, but a summer throwing beer kegs around at a beverage distributor turned that around. Most of the jobs I had until I became a journalist involved moving heavy things from point A to point B. The result of that was that I was in pretty good shape. The result of that, in addition to a couple of motorcycle accidents, falling off a moving train, and this or that, here and there, is my back in X-rays looks like a ruined amusement park. A quarter century sitting in front of computers has done nothing for my boyish figure. I work out at a gym twice a week, job permitting, but I still manage to look more like Junior Samples from the old TV show Hee-Haw than Brad Pitt. This impression is not lessened by the fact that my outfit of choice on weekends involves bib overalls, which I consider the most comfortable item of clothing ever invented.

9. I like to cook, but not if it involves reading a recipe or too many steps or pots. My favorite thing to prepare is a dish I made up years ago that involves chicken, lots of spices and veggies and pita bread or burrito shells. One pot, lots of flavor. I’m not terribly conservative in what I’ll eat, but if given my “druthers,” I’ll take a good hamburger every time. And forget sushi. Where I come from, it’s called “bait.”

10. Fortunately, Sue is an excellent cook and learned a lot of her culinary sorcery during seven years living in Paris. I never know what to expect for supper, and I say that with the most admiration possible.

11. Speaking of food, in 1995 we bought a garden with a house attached. I had never before owned a piece of real estate. I stood in the garden one day with a rock in my hand, realizing that the rock was something like 3 billion years old, give or take, but the law said I owned it. I still find the concept absurd, but it did mean that I could actually have a garden. Gardening is not as successful for me now as it was in the years when I worked out of my home office, before I had a two-hour daily commute. I confess to being a so-so gardener. I don’t deal with the heat as well as I once did. But the garden is a frequent source of columns and constant trigger for things to think about. That means, admittedly, that I spend a lot of my gardening time leaning on some implement and staring into space as the weeds grow merrily along. I try to convince my neighbor Dan that this really IS work for a writer. Dan has another word for it.

12. I grew up in the Deep South, but have no love for heat and humidity. Every year we travel to the coast of Maine for two weeks of reading and relaxing in a little wooden cottage not much bigger than our living room. We go in late September or early October. The local libraries and good restaurants are still open, and we can walk on the shore without stepping over greased tourists.

13. A friend who tagged me with her own “25 things about me” list wrote that she enjoys listening to music but is “often stumped as to who or what that was.” That confession fills me with relief. I’ve always been that way. I listen to a lot of classical music, especially on my iPod at work to drown out the hubbub of the newsroom. I think there are maybe two or three pieces I can recognize. But I’ve never thought of enjoying great music as a trivia game. It’s the music that’s important. If somebody asks me what’s playing, I’m likely to respond “Oh, that’s Dusseldorf’s Carbuncle in nothing flat.”

14. I also like many other kinds of music; though country and western is often funny when it’s not supposed to be, and rap I view as more of a symptom than an art form. And no, that’s not meant as a racist remark. Ugly is ugly. Heavy metal would be impressive if they never showed us photographs of the actual bands. Most of them seem to be skinny chinless white doofi with bad attitudes and worse skin. Drop a Southern boy raised on biscuits and fried chicken into the middle of the group and watch some ass-kicking.

15. For some reason, I can’t understand the words in a lot of music, especially rock n’ roll. Thank God for the Internet. If I want to know what the singers are saying, I can look up the lyrics. I usually avoid doing that because all too often I discover that the lyrics are totally inane or lacking sense. Sense is not always necessary (I mean, it’s rock n’ roll, after all,) but you have to draw the line somewhere.

16. On the other hand, I have a bunch of what they call “world music” on my iPod. None of the songs are in English. In fact, some of the languages I can’t name at all. You’d be surprised how very little it matters. One of the weirdest things I ever heard was somebody rapping in Italian.

17. I have a son. He doesn’t know I exist. The circumstances of his birth would have been scandalous in another time. Today nobody cares, but I’m not proud. The situation included too much rum and not enough judgment. He is 31 and lives in a nice house in a Southern state. As far as I know, he believes that the man who raised him is his father. I would love to know him, but I don’t believe I have the right to land in the middle of his life and tell him he is somebody else.

18. I have lived in a number of fairly exotic places, and all of them were east of the Mississippi. A place doesn’t have to be far away to be strange. I live now just outside of Gettysburg, a place I have often described as “Norman Rockwell on LSD.” I grew up in Athens, Ga., famous as both the home of the University of Georgia and for being to New Wave music what Detroit was to soul music. I worked blue collar jobs for the first 35 years of my life, so I knew Athens the way most of my University friends did not. I lived for a time in public housing, where it was not uncommon to be awakened in the middle of the night by gunfire. I stood at the door of my second-story apartment and watched two men slice one another up with knives.  I also lived in the Mississippi Delta, in the middle of Blues Country. I think of myself as a Southerner in many ways, and my accent comes back when I tell certain stories, when I’ve been drinking, or when I want somebody I’m interviewing to think I’m stupid. Yankees usually think Southerners are dimwits. It’s a mistake.

18. I met Sue on Memorial Day in 1985. I was covering a hot-air balloon race for The Gettysburg Times. From a balloon, no less. We landed in her back yard. We didn’t really get to know one another until years later, but that’s when we met. You can’t make this stuff up.

19. I couldn’t say which season is my favorite. It’s not summer, though there is a lot to like about summer. It’s the other three I can’t make up my mind about. The colors of winter are my favorites. Winter is really the most colorful season, though the colors are all muted and subtle. Maybe that’s what I like about them. Autumn foliage is gorgeous, of course, if bordering on cheesy, and breathtaking. But my favorite thing about autumn is that sense of the world rushing to get everything put away before winter strikes. Leaves off the trees: check. Acorns hidden by squirrels: check. Spring, is maybe the most magical, when everything comes back from the dead, and no matter how many springs I see, each one really is brand-new.

20. Almost every word I write nowadays is on a computer, either on the desktop at work or, more likely, on my own laptop. I have said many times that if reporters still had to use typewriters, I’d still be driving a truck. I make too many mistakes to be a great typist, though I can go pretty fast when inspired. Truth be told, I really like to write, by hand, in a journal. My preference for a writing instrument is a fountain or cartridge pen. I can’t say why, but my penmanship is better with that kind of pen, and for some odd reason, I feel smarter when I use one. Reading back over my journal entries, I can tell you that there is no empirical evidence to support that feeling. Oh, well.

21. I love where I live. We bought the cottage in ’95, when it was almost 75 years old. I don’t know exactly who built it, but the people who have worked on it assure me that the builder was no carpenter. The house sits along Marsh Creek above a dam, so the water is about 100 feet across at this point. The creek has carp the size of torpedoes, all sorts of waterfowl, including blue herons and night herons, the occasional osprey, and every so often, a bald eagle or two. There is also a snapping turtle the size of a TV tray. I think about it when I’m in the creek. Actually I try NOT to think about it when I’m in the creek.

22. We had the house remodeled five years ago. We went a little overboard, but this was The Dream House. Whole weekends can go by and we will scarcely leave the property. Some days it really is hard to peel myself away from here to go sit in a big gray box and write stories. Coming home feels like solid ground under my feet after a long swim.

23. I work for the third largest newspaper in Pennsylvania. Most days I love the job, which is about as good a thing you can say about any job. Some days I’m better at it than others. Some days, I think I should have stuck with driving trucks. Some days, I think my boss does, too.

24. This year I’m celebrating my birthday at the Greenmount Community Fire Co. No. 23. The fire hall is about a quarter mile from my house. No, the fire company is not throwing a party for me; they’re having one of their fund-raising feeds, featuring roast beef and stuff. The tickets are 20 bucks and along with the meal you get a chance to win a gun. I think it’s a high-powered rifle. I was touched to discover that 20 of my friends have asked me to reserve tickets for them. I prefer to think it’s not because they hope to win the gun.

25. I had a pep talk with one of my young colleagues the other day. She’s one of those more recent hires, all of whom are younger than some of my ties. I told her I wished I was 30 again, and not just for the obvious “wait! I was having a good time” reasons. Newspapers are going through a lot of crap lately, and none of them is going to come out of this uproar unscathed. The next five years are going to be ugly. On the upside, I believe that there will always be a need for people who do what we do. All this talk about relying on “citizen journalists” is fine, but the bottom line is that reporters, most of us, anyway, really do have a code of ethics and rules for how we do things, and nobody is harder on us when we slip up than we are ourselves. Once everything settles down and news-reporting catches up to news-gathering, things are going to be interesting and exciting and we can all stop eating so many antidepressants. I really believe that.
==============================.
© 2009 Marsh Creek Media, Gettysburg, Pa.
“Burger to Go” is a product of me and my company, Marsh Creek Media and, as such, I am solely responsible for its content.
Check out the two “Burger to Go” blogsites:
https://burger2go.wordpress.com/
http://burger2goclassics.wordpress.com/

Wait!

October 9, 2008

HERE AND NOW, I wish I could make it all stop, just for awhile.

The world, I mean. Time. Make it stop at this moment as this golden glass-sharp light slices almost level with the ground as the sun nears its setting,

Make time stop so I could leap,

Run breathless through woods and marsh, along small harbors like this one, see this light,

Shimmering on the still surface of the harbor, reflecting almost perfectly the gulls flying a hand’s breadth above, see it
Dart through the brooding pines to flare the yellow flags of some maple into a
Torch or waving banner, see it cast gold on the flanks of geese against the half-moon whose twin dances in the water outside my window.

If only I could

Raise my hand and still the skies and earth,

Spend myself in adoration of this very moment.
==============================.
© 2008 Marsh Creek Media, Gettysburg, Pa.
“Burger to Go” is a product of me and my company, Marsh Creek Media and, as such, I am solely responsible for its content.
Check out the two “Burger to Go” blogsites:
https://burger2go.wordpress.com/
http://burger2goclassics.wordpress.com/