Twist and Creak
August 27, 2012
We shuffled and limped into the theater in downtown Gettysburg, men and women of a certain age. Some waggishly wore hippy gear; head-bands, tie-dyed shirts and skirts, and so on. Frankly, the gear looked better on us all a few decades back, but we knew that. Everybody looked excited and eager.
Inside the theater our youth was waiting.
Well, as much of it as remains to us. A Beatles tribute band, “1964-The Tribute,” played at the Majestic, and I thought it would be a lark. It was much more.
When I was a kid, my dad would walk through the house at night, humming old Glenn Miller pieces, sometimes cupping his hands over his mouth and mimicking a trombone solo.
Inevitably, I would roll my eyes, embarrassed, and irritated, somehow. It was music from the distant past, ancient, meaning more than 20 years old. I actually liked Glenn Miller music, but I wasn’t about to admit it. It was of my parents’ world, and therefore not to be trusted.
The theater was packed. There may have been a couple of empty seats, but I couldn’t see them. Even the balcony was full. A sea of geezers, me included, all chatting excitedly. It was an Event.
I had never heard a tribute band before; there are plenty of them, for all sorts of defunct artists, from Mozart to, someday, I suppose, Justin Bieber, if they can find a 12-year-old who can sing. I was not prepared to be impressed.
After all, we live in an age when there is no “Yesterday,” (sorry, Paul). Not in the sense of media, anyway. Time, I thought, was safely tucked away in millions of little electronic pockets, in iPhones, computers, and compact discs, everywhere. Heck, I still have all my original Beatles LPs.
I got my first album from the lads from Liverpool when I was 14 and visiting relatives in western Pennsylvania. It was “With the Beatles.”
There was a record player in my aunt’s basement, and I spent a big chunk of the Christmas visit sitting in that dark space listening to that one album, over and over.
It must have driven the adults mad. But they let me have that.
I am no musicologist, but I have read critiques of the music, especially the tunes penned by Lennon and McCartney, extolling their talent and the impact their work had on music of many varieties from that moment on. If you weren’t around, I can tell you that American pop music just before the so-called “British Invasion” was nothing if not blah.
Though there have been a number of albums, many of them were mere mashups of previous work. According to at least one source, all of the massive effect the Beatles had arose from the core Beatles discography recorded during the 1960s roughly 10 hours of original music. Just 10 hours, a little more than an average American work-day. And only one of the group, George Harrison, could even read music.
Back at the Majestic, theater director Jeffrey W. Gabel came out and did the usual rah-rah stuff about the theater and its funding needs.
And then he introduced the band.
With the wigs and the suits they could pass, sort of, for the original Fab Four. They have been touring for 28 years, but they managed to look a lot younger than they probably felt at the end of the two-hour show.
But. Oh. My. God. The music.
Not exact, mind you. The playing was close enough, but the voices, naturally, not quite the same. Lots of Beatle-y banter in what may actually be a Liverpudlian accent, though the band members actually hail from places like Indiana and Ohio, for god’s sake.
But the difference between the pretenders and the real thing blurred by nostalgia and aging eyesight.
It worked. They started playing and time fell away, except for the creak in my knees when I stood to cheer, clap, and sing.
I surprised myself by knowing almost all the lyrics. I could tell because I was singing them along with everybody else I could see. The cheering at the end of most songs shook the rafters, or whatever is holding the Majestic up other than wealthy donors. “Twist and Shout” nearly resulted in a riot and, I suspect, a couple of coronaries.
Now and then I remembered that I am by profession and inclination an observer, and took time to look around: Row after row of friends, neighbors, people I flat don’t like, and people I just know by sight, all of us in various stages of decrepitude, all of us dancing and creaking in place, transported by a common joy, old faces lit by memory.
Suddenly, I was laughing and singing along, yelling at the top of my lungs, joyful. I didn’t even do that when I was a kid. It’s just that I had this happy energy in me, and there was nothing else to do with it but hurl it out into space, in joy and against time and all that dies.
I have come back to Earth, now. But changed, somehow. Not sure how to describe it. Cleaner, I guess, or at least buffed and waxed and shinier than I was. It’s a good feeling.
I’ve been walking through the house, humming Beatles songs for the past several days, now and then throwing in a Glenn Miller tune. Here’s to you Dad. I get it now.